Visible Learning in Literacy: 3 Takeaways from John Hattie and Nancy Frey

Opportunity to learn with renowned education researchers and practitioners rejuvenates the mind and reignites the passion in many educators. In the second of our two-part series, Steven Anderson and I share what we learned from the Visible Learning Institute in San Diego, this time with a focus on literacy. Head over to part one to see our initial thoughts and shares.

The second day at the Visible Learning Institute in San Diego provided attendees choice in one of two paths in which to learn;  literacy and math. Steven and I jumped at the chance to learn from Nancy Frey and chose the literacy learning to continue to grow our knowledge in this area for supporting educators around the globe. Frey and Doug Fisher (her colleague) have worked extensively with John Hattie in the realm of literacy practices and transferring his research into practice. They have multiple books with Hattie, two of our favorites being Visible Learning for Literacy Grades K-12 and Teaching Literacy in the Visible Learning Classroom, Grades 6-12. 12.

Frey consistently delivers high-quality and classroom applicable learning during her workshops and this experience was much the same. During Day 2, she used a combination of research, theory, and classroom application to deepen our understanding of high-impact instruction during each phase of learning.

3 Takeaways:

Constrained and Unconstrained Skills – Constrained skills are those that have boundaries and edges to them and are acquired at concrete stages of development. These include phonemic awareness and phonics. Unconstrained skills are boundless, limitless and continue to grow throughout life. These include vocabulary and comprehension. While no argument can be made against the direct instruction and learning of constrained skills, Frey reminded us all that they are important but not sufficient. Leveled texts are great for learning constrained skills, but unconstrained skills are not developed through these types of texts. Both constrained and unconstrained skills develop independently; it is important for all educators in all subject areas to pay attention to both.

Reading Volume – The amount one reads is important, but do you know how important it is for our students? Frey offered statistics to drive home the point about reading volume. Reading 20 minutes a day = 1,800,000 words per year & 90th percentile on standardized tests. Reading 5 minutes a day = 282,000 words per year & 50th percentile on standardized tests. Finally, a student who reads only 1 minute a day = 8,000 words per year & 10th percentile on standardized tests. Assumptions that all kids have access and time at home to read will not increase reading volume; instead, make time for students to read in your classroom.

In addition, as Frey reinforced, students need both content specific reading but also need the exploration of texts beyond the content. If a student enjoys to pleasure read graphic novels we should not dissuade that student from choosing them. Rather, we should support them while still exposing them to content specific passages and texts.

Surface, Deep, Transfer Learning – Hattie, Fisher, and Frey discuss a scale for learning and divide it up into 3 parts of a triangle. Surface, Deep, and Transfer Learning make up this scale representing learning as a process, not an event. Along with the description of each, Frey offered high-impact instructional strategies to support learning.

Surface – Surface Learning, the base of the triangle, is learning that takes place during the acquisition of skills and understanding of concepts. Learners often recognize patterns and start to build foundational knowledge to support the next level of the triangle, Deep Learning.

High-Impact Instructional Strategies to support Surface Learning and the effect size:
  • Repeated Reading (.67)
  • Feedback (.75)
  • Collaborative Learning with Peers (.59)

Deep – Deep Learning builds off of the Surface Learning students acquire. As Frey states, you have to know something before you are able to do something with that knowledge. Deep Learning consists of consolidation through connections, relationships, and schema to organize skills and concepts. Deep learning is also used to consolidate constrained and unconstrained skills. Students need more complex tasks to deepen their own learning.

High-Impact Instructional Strategies to support Deep Learning and the effect size:
  • Concept Mapping (.60)
  • Class Discussions (.82)
  • Metacognitive Strategies (.69)
  • Reciprocal Teaching (.74)

Transfer – Finally, learning and school should not stop with just Surface and Deep Learning. Transfer Learning is self-regulation to continue learning skills and content independent of the teacher. Frey admits, not everything we teach or learn is worthy of Transfer Learning. Transfer Learning places more responsibility on the learner to question, investigate, and organize to propel their learning.

High-Impact Instructional Strategies to support Transfer Learning and the effect size.
  • Reading Across Documents to Conceptually Organize (.85)
  • Formal Discussions, Debates, Socratic Seminars (.82)
  • Problem Solving (.61)
  • Extended Writing (.43)

PBL – Problem-based Learning – effect size is low at surface level learning (.15) but significantly higher at Transfer level learning (.61)

As Day 2 came to a close, our minds were spinning with information and ideas. Nancy Frey not only shared Visible Learning in Literacy but invited us to consider what approaches work best at the right time for the right learning, never to hold an instructional strategy in higher esteem than a student, and our favorite, “Every student deserves a great teacher, not by chance, but by design.”

So You Want to Add Literature Discussion Groups to Your Classroom…

So You Want To Add Literature Discussion Groups to Your Classroom...

Developed in the 1980’s, Literature Discussion Groups (LDGs) were inspired by a group of students who wanted to continue talking about their books as a group. As a result, educators across the nation have utilized this type of small group work in their literacy classrooms. But while there are many different frameworks for Guided Reading for educators to implement, Literature Discussion Groups can look different from class to class. With this being acknowledged, there are commonalities that most share. Below is a chart which depicts the common elements of Literature Discussion Groups, as well as a comparison to Guided Reading.

Literature Discussion Groups Guided Reading
Purpose To develop critical thinking, speaking and listening skills while diving deep into the text as a peer group. LDG support collaboration, independence, and reading as a social and lifelong experience.    Small group instruction to help students build their reading power so that they can apply skills independently. Must include direct instruction from an expert teacher.
Who Typically used in grades 7-12. ALL students in the class are part of LDGs. Student Choice is extended to ALL students and teachers support and scaffold access to text so that all may participate. Mostly occurring in elementary classrooms, Guided Reading can also be used to support older students on foundational skills, reading comprehension, or vocabulary needs.
Text Students have a choice in what they read. Students typically make their choice based off of book talks or other intros. of the text. All students have their own copy of the text which they can annotate or add sticky notes to while reading and prepping for the discussion.   The text is determined by the teacher. Relevance and engagement are considered in book selection, as well as appropriate challenge and instruction purpose.
Groups Groups of 5-7 students based on choice. Groups are fluid and temporary, changing with each new book selection. All LDGs occur at the same time. Groups are created based on student needs and are typically made up of 4-6 students. Groups should be fluid and evaluated and changed about every three weeks. Guided Reading groups take place one at a time with the teacher.
Teacher Role The teacher acts as a facilitator, listening in on each group but does not become a member of them. During the small group discussions, the teacher takes notes which are used for reflective feedback, whole class instruction and/or evaluation/participation. The teacher designs direct instruction to focus student comprehension, word study, and fluency during small group instruction. The teacher listens in as each student reads and makes on the spot teaching decision based on reading behaviors exhibited.  
Student Role Students develop questions, participate in substantive conversations, support thinking with textual evidence and critical thinking. Students build collective understanding through dialogic learning. Students learn and apply skills from teacher instruction to guided reading text, and independent text. Students individually read the text to self and out loud when designated by the teacher. Students participate in discussion and extension activities in Guided Reading.

This independence and thoughtful discussion about reading in Literature Discussion Groups is one of the goals for literacy teachers. We want our students to enjoy reading, have a choice in what they read, and be able to thoughtfully discuss what they read with others. While this type of small group work does not happen naturally in most classrooms, there are scaffolds and management procedures that teachers can use to set everyone up for success.

First, it is important for students to understand the purpose of LDGs and have a clear image of what a high-functioning group looks and sounds like. This can be done through a video, discussion, or demonstration. Last week I had the pleasure to tape an example LDG with a group of teachers who plan to share it with their students. This exercise allowed us to talk through the important elements we wanted to highlight in the video, as well as a way for teachers to grow their own understanding of LDG by participating in one.

Second, cocreate norms with the students. Kids are smart, they know what groups need in order to remain focused, fair, and consistent. Voicing and agreeing upon norms will support the success of all LDGs. Some norms I had in my own classroom:

  • Be Prepared
  • Ensure all voices are heard
  • Disagree with the statement, never attack the person
  • Negotiate your own time, there is NO Hand Raising in discussions

Scaffold the learning, as stated earlier, LDGs do not happen naturally in the classroom setting. Be prepared to model, live-group demonstration, and reflect. You may also consider starting slow, have all groups start with the same, short piece. Play a more active role in the beginning and drop off to a facilitator role when they get up and running, or use Role Sheets to support discussions. (Note, LDG Roles were first used to scaffold the learning and were not designed to be used by all students for every LDG). Assign each student an individual role, or have all students be the same role (Connector or Summarizer works well for this). Common Roles in LDGs:

  • Discussion Director
  • Connector
  • Vocabulary Identifier
  • Summarizer
  • Illustrator
  • Researcher
  • Literary Lumininator
  • Map Maker

Along with scaffolding, it is important for each teacher to define the purpose and end goals with the implementation of Literature Discussion Groups. During a thoughtful discussion with a group of high school teachers, the consideration of ALL students participating ensued. Should a student be able to exercise their choice in reading if they cannot access the text alone? My answer was answered with a question – what is your purpose? While students do gain and refine skills during LDG, my main purpose for implementation was independence, collaboration, discussion, and critical thinking. All of my high school students read at various levels based on skill and interest, but I never denied any student the opportunity to participate in a peer discussion. The gains far outweighed the risks for during this collaboration.

Assessing. How should I grade students during LDGs? Most educators use both a self and teacher evaluation for grading Literature Discussion Group participation. Students self-assess through a checklist or written response in which they evaluate their own role and contributions to the discussion, as well as their groupmates. This reflection can be powerful for goal-setting and student ownership of learning. Teachers also add their own notes that were gathered during the facilitation of the small groups to the evaluation process. Still, other educators assign flat points for participation or no grade at all.

Finally, don’t be afraid to add your own flair and teaching style to Literature Discussion Groups. Add a new role, The Nosy Neighbor, Aesthetician, Freudian or Existentialist Lenses. Promote digital collaboration through the use of technology or connect your students with others reading the same text outside of the four walls of your classroom. Add a visual element through annotations, sketchnoting, or drawing to be completed by all students prior to the discussion.

Check out my Wakelet for resources used during this post on LDGs

 

7 Benefits of Audiobooks

My Post (2)

Is listening to an Audiobooks the same as reading a book? Is it cheating or lazy to listen to instead of actually reading it? Do audiobooks help to develop readers or hurt their development?

All of these questions were unearthed during a conversation I had with a fellow educator whose daughter was listening to books at home instead of reading them. The simple answer is YES, audiobooks are similar to reading and have benefits to the listener.

Some date the origins of audiobooks to that of oral storytelling and how stories were passed down through generations before a written language and the act of reading was mainstream for the common person. In education, I was surprised to see the amount of research done around this area and found most agree that similar skills are used and when you consider the goal of reading, listening to an audiobook does count as reading.

The goal of reading is not to decode words and be able to pronounce them but to comprehend and think critically about what you read.

With this goal in mind, I offer 7 Benefits of Audiobooks:

  1. Independence – A student’s oral vocabulary far outreaches their reading abilities. When one accesses an audiobook, it promotes independence. It also is a great way to differentiate content in the classroom! 
  2. Access to Information – Audiobooks, and listening to text, provides access to those students who wouldn’t be able to read the text independently. When teachers deny students access to information based on their reading level they are promoting a division of inequity. There are many reasons why students struggle to read, but just because they can not decode specific words on a page does not mean that they also struggle to think and understand. Reading level does not equal intelligence, but limiting access to information because of it harms students.  
  3. Broadens one’s world, locales, accents, dialects, cultures – Stories have the ability to transport readers to different places, experience different cultures, and identify with others who are similar. Developing empathy and awareness can be achieved through audiobooks, with the bonus of hearing different accents and dialects.
  4. Linguistically Rich – Promotes Storytelling – Audiobooks promote storytelling. Students listen to a linguistically rich text and are inspired to talk about their book by connecting it to their own experiences or other things they have read or viewed. The more stories one collects, the more language they acquire to share their own voice.
  5. Increases: Motivation, Background Info. Content Knowledge, Vocabulary – Listening to audiobooks has been shown to increase motivation in reading which is an essential element for struggling adolescent readers. Research also shows audiobooks help to increase background information and content knowledge and is especially beneficial to our EL (English Learners) students.
  6. Models Good Reading – Audiobooks, similar to read aloud, models good reading to students. Hearing an expert reader adds experience to all growing readers.
  7. Improves: Critical Listening Skills, Reading Accuracy, Fluency – Audiobooks not only promote critical listening skills, an essential life skill but also help student reading accuracy and fluency. Fluency is so much more than reading fast. Audiobooks allow students to not only see words pronounced correctly but hear and notice pronunciation, rate, speed, pausing, stress, and intonation.

Better Listeners LEARN More!

There are many places to access audiobooks:

Check your local and school library.

Open Culture

Storynory

Learn Out Loud

Epic!  

Project Gutenberg

Strategies to Help Students Unlock Poetry

My Post

Kids hate poetry. Well, not all kids, but by the time students entered my 9th Grade English class their feelings for poetry were typically between the levels of nonexistent to complete disdain. Students think poetry is difficult to understand, not relevant to their lives, or in a form that is not what they normally read or write.

Poetry depends on the effort of the reader.

Unlike a lengthy novel or even this blog post which allows me to write, explain, and use as much space as needed, poetry is intentional, compact, and demands an enhanced awareness from the reader. Educators can help students unlock the meaning of poems, which I believe, helps to change the negative perception of poetry into a positive one.  

Before Reading:

  • Notice the poet and title – what clues do they provide to help the reader understand the poem?
  • Identify form or visual clues – how many lines does the poem contain? (14 lines and looks like a square it is probably a sonnet) Is the structure familiar? Punctuation, font differences, stanzas, line placement (does the poem have a shape?) How could the form relate to the content?

After collecting initial thoughts based on the “Before Reading” preview of the poem, students should:

  • Read the poem multiple times
  • Read the poem out loud – your ears will pick up more than just reading it in your mind, does sound play an active role in the poem’s meaning?
  • Marginalia – annotate and make notes in the margins

During Reading:

  • Look up words that are unknown – every word that is in a poem is meant to be there. If a student does not know what a specific word means to have them look it up. Why did the author choose that specific word? How does knowing the definition of the word change what I am thinking?
  • Identify the speaker and situation – The speaker of the poem is not always the poet. What do I know about the speaker of this poem? Situation deals with time, location, and event. While a reader may not be able to identify all parts of the situation, the more one can identify aids into the understanding of the poem as a whole.
  • Identify tone
  • Notice rhythm and rhyme scheme – how is understanding enhanced?
  • Identify figurative language – imagery, metaphors, enjambment, slant rhyme, alliteration; how does the poet play with language and how does it enhance a reader’s understanding?
  • Notice the structure – Does the poem tell a story? Ask and answer a question? Structured like a speech or letter?

After Reading:

  • Reread margin notes
  • Reflect on notes, sound, information about the poem
  • Shared inquiry discussion with classmates

Providing students guidance and modeling on how readers unlock a poem’s meaning is a daunting task. Students should not be required to analyze and interpret every poem they read. Sometimes it is best to just read poems aloud to students, allowing them to appreciate the sound and interpret the poem holistically. In my own classroom, I would model these strategies of interpreting poetry for students before expecting them to do them on their own. We would read, write, and listen to all types of poems, some to unlock the meaning, others because I wanted them to hear some of my personal favorites. We would discuss poetry’s relationship to their lives, parallels to music, or current books they were reading all in verse. I wanted to reawaken their love of poetry, or at least open to giving it another chance.

When students become aware of intentional writing in poetry it enhances their awareness in the world. They begin to notice small nuances in what they see, read, watch, and hear and how these noticings amplify understanding of the world around them.

The Handmaid’s Tale, Censorship, & Banned Books

Adobe Spark (19)Last week, I began watching The Handmaid’s Tale, a Hulu original series based off of the novel by Margaret Atwood. Set in a dystopian society and ruled by an extreme, fundamentalist regime; the series draws viewers in with multiple storylines, dynamic characters, and pendulum swings oscillating between hope and despair. Along with the brutal objectification of females in this radical, religious Totalitarian society, The Handmaid’s Tale, sheds light on the power of the literate individual.

Books, reading, and writing are outlawed in Gilead, and one scene in an early episode where “The Eyes” are burning books and art, immediately reminded me of other stories about censorship and book banning, such as Fahrenheit 451. The ability to read, write, and think for oneself is seen as a threat to the new government of Gilead and there is not a more powerful illustration of this then in the “Closet Scene”  from episode 4. Offred, the main character, was locked in her room for 2 weeks straight and finds a Latin phrase, Nolite Te Bastardes Carborundorum, carved into the corner of her closet. This single phrase, written by her predecessor who failed to bear a child for the commander and his wife, risked her life to offer hope in the form of words that Offred couldn’t even translate. This small carving of words, hidden in the closet, reignited the fire of freedom that had been dimmed inside of Offered.

                                            _________________________________________________

Words have the power to transport readers to new places, they can inspire a movement, and bring hope to those who identify with characters they read about or quotes that sing to their heart. This week marks the beginning of Banned Books Week, an annual celebration that recognizes  Students’ Right to Read and emphasizes the First Amendment. The theme for this upcoming Banned Books Week (Sept. 24 – Sept. 30) is “Words Have Power. Read a Banned Book.” The words in these banned and challenged books have the power to connect readers to literary communities and offer diverse perspectives. And when these books are threatened with removal from communal shelves, your words have the power to challenge censorship. (ALA)

The Right to Read implies that individuals have the choice in what they read and the ability to be selective in this endeavor. The same freedoms are extended to the group as well and oppose the individual’s efforts to limit what others read. “The right of any individual not just to read but to read whatever he or she wants to read is basic to a democratic society,” (NCTE). Censorship and the banning of books limit the access of information for students. It distorts their understanding of information, creates bias, and neglects to provide a whole picture of the successes and challenges of a community or culture.

In this age of information and with the access to content at the touch of a button, it is essential to develop critical thinking skills and savvy discerners of information instead of limiting what students read. Just as important is the classroom discussion around censorship, along with individual dives into inquiry around bias, banned books, and healthy skepticism.

During Banned Books Week,  I urge you to take part in the activities or create one of your own. In my classroom, I had students select a commonly banned or challenged book, preferably one they were familiar with, and answer the following questions:

  • Why is this book banned or frequently challenged?
  • What passages, lines, words, or characters are often attributed to the challenging or banning of the book?
  • What are the different opinions about this book?
  • What is your opinion?
  • Should this book be banned? Should any book be censored or banned?
  • How does censorship play a role in your life?

This short exercise made students aware of the issue, the sides, take a stand, and defend their thoughts. It provided us a perfect launch into Huck Finn (another frequently challenged book), as well as a larger, conceptual lens on censorship and the Right to Read.

Literacy = Power, Opportunities, Democracy, and Improved Professional & Personal Lives. And although contemporary books and movies, such as The Handmaid’s Tale, paint an extreme cautionary example of censorship and banning books, it does illustrate the importance of freedom and the role literacy plays in our lives.

***And if you are wondering the translation of the Latin words Offred found hidden in her closet, here it is: “Don’t let the Bastards grind you down”… fitting, don’t you think?